Tim Chappel was catapulted to the world stage in 1995 when he won an Oscar for his costumes in the cult film The Adventures of Priscilla, Queen of the Desert. 26 years on, he is as relevant and in-demand as ever, writes Travis de Jonk.
Trevor Ashley is coming out swinging – from a vine – with his re-vamped Jurassic jungle musical, The Lyin’ Queen.
Union and community activists want the NSW Government to reverse its decision to scrap the historic Manly ferries. reports Jim McIlroy.
In the wake of Gladys Berejiklian’s resignation, Gary Nunn examines the premier’s considerable, complicated and sometimes controversial legacy.
The battle for the future of Sydney’s Metro-Minerva Theatre is heating up, with public exhibition for a DA at the site set to end on 15 September.
Ahead of moderating an event at the Antidote festival, Paddy Manning speaks to Gary Nunn about climate change, News Corp and how writers make ends meet.
Gary Nunn introduces us to some of Sydney’s most colourful eccentrics, free spirits and one-offs: the characters who give Sydney its personality, colour and flair.
The clue is in the name – the Sydney Opera House is located in Sydney. Or is it? Not always, it turns out.
The Sentinel’s Richie Black intercepts a report into the performance of Dustyevsky – the world’s leading fake Russian choir.
The Sentinel explores the cultural phenomenon of 28 hairy Australian blokes singing traditional Russian songs at the Sydney Opera House.
Arts editor Rita Bratovich reviews Claudel – an homage to one of history’s forgotten geniuses – currently playing at the Sydney Opera House.
The stars of RuPaul’s Drag Race Down Under have appeared on the blue carpet at the Sydney Opera House for the world premiere of the much anticipated production.
The Sydney Theatre Company’s “Home, I’m Darling” explores gender roles through one woman’s fetishisation of the stereotypical 1950s housewife.
Sydney’s annual festival of light, music and ideas has announced its 2021 dates and a new festival director.
History might have forgotten Camille Claudel but a new play is set to give this extraordinary French sculptor her due recognition.