Review: David Williamson’s Emerald City – On Demand, Riverside Theatres Digital. Reviewed by editor-at-large Gary Nunn.
Campion Decent’s seminal play about the HIV pandemic finds new meaning almost thirty years later.
Gary Nunn reviews ABC journalist Sally Sara’s first play – a compelling story of a woman’s struggle with mental illness after working as a war correspondent.
After a truncated season last year, the Short + Sweet Theatre Festival is back with a bagful of all-sorts. We spoke with festival director Nick Hardcastle.
A rapidly changing world has inspired the new theatrical season of the Australian Theatre For Young People (ATYP).
Clare Hennessy, cast member of a new staging of the psychedelic symphony, Symphonie Fantastique, gives us an insider’s view of the production.
Gary Nunn reviews Green Park – a gritty production exploring gay life and sex, set and performed in the eponymous park.
The Genesian Theatre Company’s latest play: bard humbug or brilliant fan fiction?
Don’t be deterred by the dark title – “Maureen: Harbinger of Death” is thought-provoking theatre marked by joy and witty repartee, writes Gary Nunn.
Rita Bratovich reviews the Genesian Theatre Company’s final production in the CBD before they move to new digs at Rozelle.
Rita Bratovich previews the upcoming production of Picnic at Hanging Rock at Newtown’s New Theatre.
A live reading of new play Bridging The Gap will explore themes around suicide, writes Rita Bratovich.