Richie Black reflects on the unique identity of the multifaceted Sydney Park – and its somewhat uncertain future.
Tim Chappel was catapulted to the world stage in 1995 when he won an Oscar for his costumes in the cult film The Adventures of Priscilla, Queen of the Desert. 26 years on, he is as relevant and in-demand as ever, writes Travis de Jonk.
“A fantastic production”: Gary Nunn reviews the Hayes Theatre Co.’s take on Sondheim’s Merrily We Roll Along.
The Voice Australia star Penelope Pettigrew speaks to the Sentinel about bisexuality, visibility and bold plans for the future, as she releases a brand new single.
There’s much more to Studio 10 star Craig Bennett than shameless celebrity gossip and vividly patterned shirts, discovers Travis de Jonk.
John Moyle profiles New Zealand singer Theia and her landmark song and video, ‘Celebrity’.
Imagination is untethered and conventions ignored at the 2021 Fantastic Film Festival Australia.
In the wake of the Hedwig and the Angry Inch casting controversy, Gary Nunn investigates the issue of actors playing roles outside their demographic.
The Heffron Centre in Maroubra’s Heffron Park has moved a step closer, with plans for the facility now on public exhibition.
The Sentinel’s arts and entertainment editor Rita Bratovich reviews Sophia Coppola’s new film and an intriguing Russian sci-fi.
Fran Chauncy, a Sydneysider who worked on Hillary Clinton’s 2016 campaign, has more insight than most Australians into US politics. Here’s what she thinks of Donald Trump’s chances this time around.
Sydney Lord Mayor Clover Moore has marked the 50th birthday of one of Sydney’s most important public spaces, Martin Place.
Rita Bratovich looks back at the significant international films made in Sydney, where filming continues apace despite Covid-19.