The battle for the future of Sydney’s Metro-Minerva Theatre is heating up, with public exhibition for a DA at the site set to end on 15 September.
Review: David Williamson’s Emerald City – On Demand, Riverside Theatres Digital. Reviewed by editor-at-large Gary Nunn.
The end of an era is nigh, with Australia’s biggest gay nightclub up for sale. ‘I want my gay village back,’ writes Gary Nunn in reply.
It’s Petember and the children’s charity Variety invites you to dress your pets and help raise money for kids with needs.
The Sydney Sacred Music Festival wants you to experience the unexpected. Rita Bratovich spoke with festival director Richard Petkovic to find out what that actually means.
ABBA has simultaneously launched their new album in Sydney and eight other cities, in a nod to the special history between the Swedish supergroup and the Habour City.
For the second consecutive year, the Irish Film Festival will be presented completely online. It will feature a dozen films across a range of genres plus bonus content, to be sure.
There’s much more to Studio 10 star Craig Bennett than shameless celebrity gossip and vividly patterned shirts, discovers Travis de Jonk.
Ahead of moderating an event at the Antidote festival, Paddy Manning speaks to Gary Nunn about climate change, News Corp and how writers make ends meet.
An investigation into neo-Nazis has discovered popular children’s entertainer, ‘Ally Boom Boom’ – who also drummed for pop-punk band The Spazzys – is a racist who posts hate speech online.
To offer fresh insight on our world amidst the pressures of COVID-19, the beloved tech institution are live streaming talks from notable global scientists from August 14-22. Story by Corin Shearston’s WSU news team.
The inaugural EnQueer – Sydney Queer Writers’ Festival will provide a much needed space for the queer literati.
Jim McIlroy reviews Radicals: Remembering the Sixties by noted Sydney activists and authors Meredith Burgmann and Nadia Wheatley.
John Moyle speaks with Nick Littlemore (Empire of the Sun, Pnau) and Alister Wright (Cloud Control) about their electropop outfit, Vlossom.
It’s not every day a Northern Beaches gal gets her name up in lights on Broadway – but that’s the inspiring story of Kaye Tuckerman.